法庭英语话剧

Ⅰ 适合高中生演的英语话剧16人

罗密欧和朱丽叶 海的女儿 《王子复仇记》
《茶花女》
《雷雨》可以先讲述背景，直接演义高潮，很生动！
《傲慢与偏见》
《威尼斯商人》法庭那一段
《灰姑娘》 剧本可以从网上下载。

Ⅱ 求英语情景短剧的剧本，角色7人的，故事情节搞笑但蕴含哲理。大学课堂练习用，5——8分钟。

参考6人行剧情， 外加一个龙套就可以了

Ⅲ 一个人怎么演英语话剧

那就选一段英语话剧独白好了~~最经典的莎士比亚《哈姆雷特》里就有很多一个人的独白，生存还是毁灭的那段。如果能练好会让同学刮目相看的！

虽然你也没给分，不过还是要给你加油~~英语真的要好好学，我也是没学好英语吃过很多亏的！

给你找了一段，有中英文对照

生存还是毁灭？这是个问题。
究竟哪样更高贵，去忍受那狂暴的命运无情的摧残 还是挺身去反抗那无边的烦恼，把它扫一个干净。
去死，去睡就结束了，如果睡眠能结束我们心灵的创伤和肉体所承受的千百种痛苦，那真是生存求之不得的天大的好事。去死，去睡，
去睡，也许会做梦！
唉，这就麻烦了，即使摆脱了这尘世 可在这死的睡眠里又会做些什么梦呢？真得想一想，就这点顾虑使人受着终身的折磨，
谁甘心忍受那鞭打和嘲弄，受人压迫，受尽侮蔑和轻视，忍受那失恋的痛苦，法庭的拖延，衙门的横征暴敛，默默无闻的劳碌却只换来多少凌辱。但他自己只要用把尖刀就能解脱了。
谁也不甘心，呻吟、流汗拖着这残生，可是对死后又感觉到恐惧，又从来没有任何人从死亡的国土里回来，因此动摇了，宁愿忍受着目前的苦难 而不愿投奔向另一种苦难。
顾虑就使我们都变成了懦夫，使得那果断的本色蒙上了一层思虑的惨白的容颜，本来可以做出伟大的事业，由于思虑就化为乌有了，丧失了行动的能力。
Hamlet:
To be, or not to be- that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune
Or to take arms against a sea of troubles,
And by opposing end them. To die- to sleep-
No more; and by a sleep to say we end
The heartache, and the thousand natural shocks
That flesh is heir to. 'Tis a consummation
Devoutly to be wish'd. To die- to sleep.
To sleep- perchance to dream: ay, there's the rub!
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause. There's the respect
That makes calamity of so long life.
For who would bear the whips and scorns of time,
Th' oppressor's wrong, the proud man's contumely,
The pangs of despis'd love, the law's delay,
The insolence of office, and the spurns
That patient merit of th' unworthy takes,
When he himself might his quietus make
With a bare bodkin? Who would these fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death-
The undiscover'd country, from whose bourn
No traveller returns- puzzles the will,
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pith and moment
With this regard their currents turn awry
And lose the name of action.

Ⅳ 跪求威尼斯商人法庭一幕的英文简介！！

聪明的鲍西亚（A）和夏洛克(B)经过一翻辩论之后，夏洛克(B)终于放弃了杀安东尼奥(C)．最终还落得一半财产交公，另一半给安东尼奥(C)．可是善良的安东尼奥(C)没有要，而是要求在他临死的时候把财产留给他女儿和女婿。

After clever A having had a fierce debate with B,B finally gave up to kill C, with half of his property hand up to the nation,and another half over to C. However,kind-hearted C did not accepted the fortune, but requested to leave the property to his daughter and son-in-laws, at the time of he is in the article of death.

Ⅳ 关于莎翁－短剧《威尼斯商人》－法庭辩论的中文翻译本哪有

公爵 安东尼奥有没有来？
安东尼奥 有，殿下。
公爵 我很为你不快乐；你是来跟一个心如铁石的对手当庭质对，一个不懂得怜悯、没有一丝慈悲心的不近人情的恶汉。
安东尼奥 听说殿下曾经用尽力量劝他不要过为已甚，可是他一味坚执，不肯略作让步。既然没有合法的手段可以使我脱离他的怨毒的掌握，我只有用默忍迎受他的愤怒，安心等待着他的残暴的处置。
公爵 来人，传那犹太人到庭。
萨拉里诺 他在门口等着；他来了，殿下。
夏洛克上。
公爵大家让开些，让他站在我的面前。夏洛克，人家都以为——我也是这样想——你不过故意装出这一副凶恶的姿态，到了最后关头，就会显出你的仁慈恻隐来，比你现在这种表面上的残酷更加出人意料；现在你虽然坚持着照约处罚，一定要从这个不幸的商人身上割下一磅肉来，到了那时候，你不但愿意放弃这一种处罚，而且因为受到良心上的感动，说不定还会豁免他一部分的欠款。你看他最近接连遭逢的巨大损失，足以使无论怎样富有的商人倾家荡产，即使铁石一样的心肠，从来不知道人类同情的野蛮人，也不能不对他的境遇发生怜悯。犹太人，我们都在等候你一句温和的回答。
夏洛克我的意思已经向殿下告禀过了；我也已经指着我们的圣安息日起誓，一定要照约执行处罚；要是殿下不准许我的请求，那就是蔑视宪章，我要到京城里去上告，要求撤销贵邦的特权。您要是问我为什么不愿接受三千块钱，宁愿拿一块腐烂的臭肉，那我可没有什么理由可以回答您，我只能说我欢喜这样，这是不是一个回答？要是我的屋子里有了耗子，我高兴出一万块钱叫人把它们赶掉，谁管得了我？这不是回答了您吗？有的人不爱看张开嘴的猪，有的人瞧见一头猫就要发脾气，还有人听见人家吹风笛的声音，就忍不住要小便；因为一个人的感情完全受着喜恶的支配，谁也做不了自己的主。现在我就这样回答您：为什么有人受不住一头张开嘴的猪，有人受不住一头有益无害的猫，还有人受不住咿咿唔唔的风笛的声音，这些都是毫无充分的理由的，只是因为天生的癖性，使他们一受到刺激，就会情不自禁地现出丑相来；所以我不能举什么理由，也不愿举什么理由，除了因为我对于安东尼奥抱着久积的仇恨和深刻的反感，所以才会向他进行这一场对于我自己并没有好处的诉讼。现在您不是已经得到我的回答了吗？
巴萨尼奥 你这冷酷无情的家伙，这样的回答可不能作为你的残忍的辩解。
夏洛克 我的回答本来不是为了讨你的欢喜。
巴萨尼奥 难道人们对于他们所不喜欢的东西，都一定要置之死地吗？
夏洛克 哪一个人会恨他所不愿意杀死的东西？
巴萨尼奥 初次的冒犯，不应该就引为仇恨。
夏洛克 什么！你愿意给毒蛇咬两次吗？
安东尼奥请你想一想，你现在跟这个犹太人讲理，就像站在海滩上，叫那大海的怒涛减低它的奔腾的威力，责问豺狼为什么害母羊为了失去它的羔羊而哀啼，或是叫那山上的松柏，在受到天风吹拂的时候，不要摇头摆脑，发出谡谡的声音。要是你能够叫这个犹太人的心变软——世上还有什么东西比它更硬呢？——那么还有什么难事不可以做到？所以我请你不用再跟他商量什么条件，也不用替我想什么办法，让我爽爽快快受到判决，满足这犹太人的心愿吧。
巴萨尼奥 借了你三千块钱，现在拿六千块钱还你好不好？
夏洛克 即使这六千块钱中间的每一块钱都可以分做六份，每一份都可以变成一块钱，我也不要它们；我只要照约处罚。
公爵 你这样一点没有慈悲之心，将来怎么能够希望人家对你慈悲呢？
夏洛克我又不干错事，怕什么刑罚？你们买了许多奴隶，把他们当作驴狗骡马一样看待，叫他们做种种卑贱的工作，因为他们是你们出钱买来的。我可不可以对你们说，让他们自由，叫他们跟你们的子女结婚？为什么他们要在重担之下流着血汗？让他们的床铺得跟你们的床同样柔软，让他们的舌头也尝尝你们所吃的东西吧，你们会回答说：“这些奴隶是我们所有的。”所以我也可以回答你们：我向他要求的这一磅肉，是我出了很大的代价买来的；它是属于我的，我一定要把它拿到手里。您要是拒绝了我，那么你们的法律去见鬼吧！威尼斯城的法令等于一纸空文。我现在等候着判决，请快些回答我，我可不可以拿到这一磅肉？
公爵 我已经差人去请培拉里奥，一位有学问的博士，来替我们审判这件案子；要是他今天不来，我可以有权宣布延期判决。
萨拉里诺 殿下，外面有一个使者刚从帕度亚来，带着这位博士的书信，等候着殿下的召唤。
公爵 把信拿来给我；叫那使者进来。
巴萨尼奥 高兴起来吧，安东尼奥！喂，老兄，不要灰心！这犹太人可以把我的肉、我的血、我的骨头、我的一切都拿去，可是我决不让你为了我的缘故流一滴血。
安东尼奥 我是羊群里一头不中用的病羊，死是我的应分；最软弱的果子最先落到地上，让我也就这样结束了我的一生吧。巴萨尼奥，我只要你活下去，将来替我写一篇墓志铭，那你就是做了再好不过的事。
尼莉莎扮律师书记上。
公爵 你是从帕度亚培拉里奥那里来的吗？
尼莉莎 是，殿下。培拉里奥叫我向殿下致意。（呈上一信。）
巴萨尼奥 你这样使劲儿磨着刀干吗？
夏洛克 从那破产的家伙身上割下那磅肉来。
葛莱西安诺 狠心的犹太人，你不是在鞋口上磨刀，你这把刀是放在你的心口上磨；无论哪种铁器，就连刽子手的钢刀，都赶不上你这刻毒的心肠一半的锋利。难道什么恳求都不能打动你吗？
夏洛克 不能，无论你说得多么婉转动听，都没有用。
葛莱西安诺万恶不赦的狗，看你死后不下地狱！让你这种东西活在世上，真是公道不生眼睛。你简直使我的信仰发生摇动，相信起毕达哥拉斯⑩所说畜生的灵魂可以转生人体的议论来了；你的前生一定是一头豺狼，因为吃了人给人捉住吊死，它那凶恶的灵魂就从绞架上逃了出来，钻进了你那老娘的腌臜的胎里，因为你的性情正像豺狼一样残暴贪婪。
夏洛克 除非你能够把我这一张契约上的印章骂掉，否则像你这样拉开了喉咙直嚷，不过白白伤了你的肺，何苦来呢？好兄弟，我劝你还是让你的脑子休息一下吧，免得它损坏了，将来无法收拾。我在这儿要求法律的裁判。
公爵 培拉里奥在这封信上介绍一位年轻有学问的博士出席我们的法庭。他在什么地方？
尼莉莎 他就在这儿附近等着您的答复，不知道殿下准不准许他进来？
公爵 非常欢迎。来，你们去三四个人，恭恭敬敬领他到这儿来。现在让我们把培拉里奥的来信当庭宣读。
书记（读）“尊翰到时，鄙人抱疾方剧；适有一青年博士鲍尔萨泽君自罗马来此，致其慰问，因与详讨犹太人与安东尼奥一案，徧稽群籍，折衷是非，遂恳其为鄙人庖代，以应殿下之召。凡鄙人对此案所具意见，此君已深悉无遗；其学问才识，虽穷极赞辞，亦不足道其万一，务希勿以其年少而忽之，盖如此少年老成之士，实鄙人生平所仅见也。倘蒙延纳，必能不辱使命。敬祈钧裁。”
公爵 你们已经听到了博学的培拉里奥的来信。这儿来的大概就是那位博士了。
鲍西娅扮律师上。
公爵 把您的手给我。足下是从培拉里奥老前辈那儿来的吗？
鲍西娅 正是，殿下。
公爵 欢迎欢迎；请上坐。您有没有明了今天我们在这儿审理的这件案子的两方面的争点？
鲍西娅 我对于这件案子的详细情形已经完全知道了。这儿哪一个是那商人，哪一个是犹太人？
公爵 安东尼奥，夏洛克，你们两人都上来。
鲍西娅 你的名字就叫夏洛克吗？
夏洛克 夏洛克是我的名字。
鲍西娅 你这场官司打得倒也奇怪，可是按照威尼斯的法律，你的控诉是可以成立的。（向安东尼奥）你的生死现在操在他的手里，是不是？
安东尼奥 他是这样说的。
鲍西娅 你承认这借约吗？
安东尼奥 我承认。
鲍西娅 那么犹太人应该慈悲一点。
夏洛克 为什么我应该慈悲一点？把您的理由告诉我。
鲍西娅慈悲不是出于勉强，它是像甘霖一样从天上降下尘世；它不但给幸福于受施的人，也同样给幸福于施与的人；它有超乎一切的无上威力，比皇冠更足以显出一个帝王的高贵：御杖不过象征着俗世的威权，使人民对于君上的尊严凛然生畏；慈悲的力量却高出于权力之上，它深藏在帝王的内心，是一种属于上帝的德性，执法的人倘能把慈悲调剂着公道，人间的权力就和上帝的神力没有差别。所以，犹太人，虽然你所要求的是公道，可是请你想一想，要是真的按照公道执行起赏罚来，谁也没有死后得救的希望；我们既然祈祷着上帝的慈悲，就应该按照祈祷的指点，自己做一些慈悲的事。我说了这一番话，为的是希望你能够从你的法律的立场上作几分让步；可是如果你坚持着原来的要求，那么威尼斯的法庭是执法无私的，只好把那商人宣判定罪了。
夏洛克 我自己做的事，我自己当！我只要求法律允许我照约执行处罚。
鲍西娅 他是不是无力偿还这笔借款？
巴萨尼奥不，我愿意替他当庭还清；照原数加倍也可以；要是这样他还不满足，那么我愿意签署契约，还他十倍的数目，拿我的手、我的头、我的心做抵押；要是这样还不能使他满足，那就是存心害人，不顾天理了。请堂上运用权力，把法律稍为变通一下，犯一次小小的错误，干一件大大的功德，别让这个残忍的恶魔逞他杀人的兽欲。
鲍西娅 那可不行，在威尼斯谁也没有权力变更既成的法律；要是开了这一个恶例，以后谁都可以借口有例可援，什么坏事情都可以干了。这是不行的。
夏洛克 一个但尼尔⑾来做法官了！真的是但尼尔再世！聪明的青年法官啊，我真佩服你！
鲍西娅 请你让我瞧一瞧那借约。
夏洛克 在这儿，可尊敬的博士；请看吧。
鲍西娅 夏洛克，他们愿意出三倍的钱还你呢。
夏洛克 不行，不行，我已经对天发过誓啦，难道我可以让我的灵魂背上毁誓的罪名吗？不，把整个儿的威尼斯给我，我都不能答应。
鲍西娅 好，那么就应该照约处罚；根据法律，这犹太人有权要求从这商人的胸口割下一磅肉来。还是慈悲一点，把三倍原数的钱拿去，让我撕了这张约吧。
夏洛克 等他按照约中所载条款受罚以后，再撕不迟。您瞧上去像是一个很好的法官；您懂得法律，您讲的话也很有道理，不愧是法律界的中流砥柱，所以现在我就用法律的名义，请您立刻进行宣判，凭着我的灵魂起誓，谁也不能用他的口舌改变我的决心。我现在但等着执行原约。
安东尼奥 我也诚心请求堂上从速宣判。
鲍西娅 好，那么就是这样：你必须准备让他的刀子刺进你的胸膛。
夏洛克 啊，尊严的法官！好一位优秀的青年！
鲍西娅 因为这约上所订定的惩罚，对于法律条文的涵义并无抵触。
夏洛克 很对很对！啊，聪明正直的法官！想不到你瞧上去这样年轻，见识却这么老练！
鲍西娅 所以你应该把你的胸膛袒露出来。
夏洛克 对了，“他的胸部”，约上是这么说的；——不是吗，尊严的法官？——“附近心口的所在”，约上写得明明白白的。
鲍西娅 不错，称肉的天平有没有预备好？
夏洛克 我已经带来了。
鲍西娅 夏洛克，去请一位外科医生来替他堵住伤口，费用归你负担，免得他流血而死。
夏洛克 约上有这样的规定吗？
鲍西娅 约上并没有这样的规定；可是那又有什么相干呢？肯做一件好事总是好的。
夏洛克 我找不到；约上没有这一条。
鲍西娅 商人，你还有什么话说吗？
安东尼奥我没有多少话要说；我已经准备好了。把你的手给我，巴萨尼奥，再会吧！不要因为我为了你的缘故遭到这种结局而悲伤，因为命运对我已经特别照顾了：她往往让一个不幸的人在家产荡尽以后继续活下去，用他凹陷的眼睛和满是皱纹的额角去挨受贫困的暮年；这一种拖延时日的刑罚，她已经把我豁免了。替我向尊夫人致意，告诉她安东尼奥的结局；对她说我怎样爱你，又怎样从容就死；等到你把这一段故事讲完以后，再请她判断一句，巴萨尼奥是不是曾经有过一个真心爱他的朋友。不要因为你将要失去一个朋友而懊恨，替你还债的人是死而无怨的；只要那犹太人的刀刺得深一点，我就可以在一刹那的时间把那笔债完全还清。
巴萨尼奥 安东尼奥，我爱我的妻子，就像我自己的生命一样；可是我的生命、我的妻子以及整个的世界，在我的眼中都不比你的生命更为贵重；我愿意丧失一切，把它们献给这恶魔做牺牲，来救出你的生命。
鲍西娅 尊夫人要是就在这儿听见您说这样话，恐怕不见得会感谢您吧。
葛莱西安诺 我有一个妻子，我可以发誓我是爱她的；可是我希望她马上归天，好去求告上帝改变这恶狗一样的犹太人的心。
尼莉莎 幸亏尊驾在她的背后说这样的话，否则府上一定要吵得鸡犬不宁了。
夏洛克 这些便是相信基督教的丈夫！我有一个女儿，我宁愿她嫁给强盗的子孙，不愿她嫁给一个基督徒，别再浪费光阴了；请快些儿宣判吧。
鲍西娅 那商人身上的一磅肉是你的；法庭判给你，法律许可你。
夏洛克 公平正直的法官！
鲍西娅 你必须从他的胸前割下这磅肉来；法律许可你，法庭判给你。
夏洛克 博学多才的法官！判得好！来，预备！
鲍西娅 且慢，还有别的话哩。这约上并没有允许你取他的一滴血，只是写明着“一磅肉”；所以你可以照约拿一磅肉去，可是在割肉的时候，要是流下一滴基督徒的血，你的土地财产，按照威尼斯的法律，就要全部充公。
葛莱西安诺 啊，公平正直的法官！听着，犹太人；啊，博学多才的法官！
夏洛克 法律上是这样说吗？
鲍西娅 你自己可以去查查明白。既然你要求公道，我就给你公道，而且比你所要求的更地道。
葛莱西安诺 啊，博学多才的法官！听着，犹太人；好一个博学多才的法官！
夏洛克 那么我愿意接受还款；照约上的数目三倍还我，放了那基督徒。
巴萨尼奥 钱在这儿。
鲍西娅 别忙！这犹太人必须得到绝对的公道。别忙！他除了照约处罚以外，不能接受其他的赔偿。
葛莱西安诺 啊，犹太人！一个公平正直的法官，一个博学多才的法官！
鲍西娅 所以你准备着动手割肉吧。不准流一滴血，也不准割得超过或是不足一磅的重量；要是你割下来的肉，比一磅略微轻一点或是重一点，即使相差只有一丝一毫，或者仅仅一根汗毛之微，就要把你抵命，你的财产全部充公。
葛莱西安诺 一个再世的但尼尔，一个但尼尔，犹太人！现在你可掉在我的手里了，你这异教徒！
鲍西娅 那犹太人为什么还不动手？
夏洛克 把我的本钱还我，放我去吧。
巴萨尼奥 钱我已经预备好在这儿，你拿去吧。
鲍西娅 他已经当庭拒绝过了；我们现在只能给他公道，让他履行原约。
葛莱西安诺 好一个但尼尔，一个再世的但尼尔！谢谢你，犹太人，你教会我说这句话。
夏洛克 难道我单单拿回我的本钱都不成吗？
鲍西娅 犹太人，除了冒着你自己生命的危险割下那一磅肉以外，你不能拿一个钱。
夏洛克 好，那么魔鬼保佑他去享用吧！我不打这场官司了。
鲍西娅等一等，犹太人，法律上还有一点牵涉你。威尼斯的法律规定：凡是一个异邦人企图用直接或间接手段，谋害任何公民，查明确有实据者，他的财产的半数应当归受害的一方所有，其余的半数没入公库，犯罪者的生命悉听公爵处置，他人不得过问。你现在刚巧陷入这一条法网，因为根据事实的发展，已经足以证明你确有运用直接间接手段，危害被告生命的企图，所以你已经遭逢着我刚才所说起的那种危险了。快快跪下来，请公爵开恩吧。
葛莱西安诺 求公爵开恩，让你自己去寻死吧；可是你的财产现在充了公，一根绳子也买不起啦，所以还是要让公家破费把你吊死。
公爵 让你瞧瞧我们基督徒的精神，你虽然没有向我开口，我自动饶恕了你的死罪。你的财产一半划归安东尼奥，还有一半没入公库；要是你能够诚心悔过，也许还可以减处你一笔较轻的罚款。
鲍西娅 这是说没入公库的一部分，不是说划归安东尼奥的一部分。
夏洛克 不，把我的生命连着财产一起拿了去吧，我不要你们的宽恕。你们拿掉了支撑房子的柱子，就是拆了我的房子；你们夺去了我的养家活命的根本，就是活活要了我的命。
鲍西娅 安东尼奥，你能不能够给他一点慈悲？
葛莱西安诺 白送给他一根上吊的绳子吧；看在上帝的面上，不要给他别的东西！
安东尼奥要是殿下和堂上愿意从宽发落，免予没收他的财产的一半，我就十分满足了；只要他能够让我接管他的另外一半的财产，等他死了以后，把它交给最近和他的女儿私奔的那位绅士；可是还要有两个附带的条件：第一，他接受了这样的恩典，必须立刻改信基督教；第二，他必须当庭写下一张文契，声明他死了以后，他的全部财产传给他的女婿罗兰佐和他的女儿。
公爵 他必须履行这两个条件，否则我就撤销刚才所宣布的赦令。
鲍西娅 犹太人，你满意吗？你有什么话说？
夏洛克 我满意。
鲍西娅 书记，写下一张授赠产业的文契。
夏洛克 请你们允许我退庭，我身子不大舒服。文契写好了送到我家里，我在上面签名就是了。
公爵 去吧，可是临时变卦是不成的。
葛莱西安诺 你在受洗礼的时候，可以有两个教父；要是我做了法官，我一定给你请十二个教父⑿，不是领你去受洗，是送你上绞架。（夏洛克下。）
公爵 先生，我想请您到舍间去用餐。
鲍西娅 请殿下多多原谅，我今天晚上要回帕度亚去，必须现在就动身，恕不奉陪了。
公爵 您这样贵忙，不能容我略尽寸心，真是抱歉得很。安东尼奥，谢谢这位先生，你这回全亏了他。（公爵、众士绅及侍从等下。）
巴萨尼奥 最可尊敬的先生，我跟我这位敝友今天多赖您的智慧，免去了一场无妄之灾；为了表示我们的敬意，这三千块钱本来是预备还那犹太人的，现在就奉送给先生，聊以报答您的辛苦。
安东尼奥 您的大恩大德，我们是永远不忘记的。
鲍西娅 一个人做了心安理得的事，就是得到了最大的酬报；我这次帮两位的忙，总算没有失败，已经引为十分满足，用不着再谈什么酬谢了。但愿咱们下次见面的时候，两位仍旧认识我。现在我就此告辞了。
巴萨尼奥 好先生，我不能不再向您提出一个请求，请您随便从我们身上拿些什么东西去，不算是酬谢，只算是留个纪念。请您答应我两件事儿：既不要推却，还要原谅我的要求。
鲍西娅 你们这样殷勤，倒叫我却之不恭了。（向安东尼奥）把您的手套送给我，让我戴在手上留个纪念吧；（向巴萨尼奥）为了纪念您的盛情，让我拿了这戒指去。不要缩回您的手，我不再向您要什么了；您既然是一片诚意，想来总也不会拒绝我吧。
巴萨尼奥 这指环吗，好先生？唉！它是个不值钱的玩意儿；我不好意思把这东西送给您。
鲍西娅 我什么都不要，就是要这指环；现在我想我非把它要来不可了。
巴萨尼奥 这指环的本身并没有什么价值，可是因为有其他的关系，我不能把它送人。我愿意搜访威尼斯最贵重的一枚指环来送给您，可是这一枚却只好请您原谅了。
鲍西娅 先生，您原来是个口头上慷慨的人；您先教我怎样伸手求讨，然后再教我懂得了一个叫化子会得到怎样的回答。
巴萨尼奥 好先生，这指环是我的妻子给我的；她把它套上我的手指的时候，曾经叫我发誓永远不把它出卖、送人或是遗失。
鲍西娅 人们在吝惜他们的礼物的时候，都可以用这样的话做推托的。要是尊夫人不是一个疯婆子，她知道了我对于这指环是多么受之无愧，一定不会因为您把它送掉了而跟您长久反目的。好，愿你们平安！（鲍西娅、尼莉莎同下。）
安东尼奥 我的巴萨尼奥少爷，让他把那指环拿去吧；看在他的功劳和我的交情份上，违犯一次尊夫人的命令，想来不会有什么要紧。
巴萨尼奥 葛莱西安诺，你快追上他们，把这指环送给他；要是可能的话，领他到安东尼奥的家里去。去，赶快！（葛莱西安诺下）来，我就陪着你到你府上；明天一早咱们两人就飞到贝尔蒙特去。来，安东尼奥。（同下。）

第二场 同前。街道

Ⅵ 适合5人表演的课本剧（话剧等都可以），要中英文对照的哈！

5个人演的，威尼斯商人啊。。
鲍西娅 我对于这件案子的详细情形已经完全知道了。这儿哪一个是那商人，哪一个是犹太人？
公爵 安东尼奥，夏洛克，你们两人都上来。
鲍西娅 你的名字就叫夏洛克吗？
夏洛克 夏洛克是我的名字。
鲍西娅 你这场官司打得倒也奇怪，可是按照威尼斯的法律，你的控诉是可以成立的。（向安东尼奥）你的生死现在操在他的手里，是不是？
安东尼奥 他是这样说的。
鲍西娅 你承认这借约吗？
安东尼奥 我承认。
鲍西娅 那么犹太人应该慈悲一点。
夏洛克 为什么我应该慈悲一点？把您的理由告诉我。
鲍西娅 慈悲不是出于勉强，它是像甘霖一样从天上降下尘世；它不但给幸福于受施的人，也同样给幸福于施与的人；它有超乎一切的无上威力，比皇冠更足以显出一个帝王的高贵：御杖不过象征着俗世的威权，使人民对于君上的尊严凛然生畏；慈悲的力量却高出于权力之上，它深藏在帝王的内心，是一种属于上帝的德性，执法的人倘能把慈悲调剂着公道，人间的权力就和上帝的神力没有差别。所以，犹太人，虽然你所要求的是公道，可是请你想一想，要是真的按照公道执行起赏罚来，谁也没有死后得救的希望；我们既然祈祷着上帝的慈悲，就应该按照祈祷的指点，自己做一些慈悲的事。我说了这一番话，为的是希望你能够从你的法律的立场上作几分让步；可是如果你坚持着原来的要求，那么威尼斯的法庭是执法无私的，只好把那商人宣判定罪了。
夏洛克 我自己做的事，我自己当！我只要求法律允许我照约执行处罚。
鲍西娅 他是不是无力偿还这笔借款？
巴萨尼奥 不，我愿意替他当庭还清；照原数加倍也可以；要是这样他还不满足，那么我愿意签署契约，还他十倍的数目，拿我的手、我的头、我的心做抵押；要是这样还不能使他满足，那就是存心害人，不顾天理了。请堂上运用权力，把法律稍为变通一下，犯一次小小的错误，干一件大大的功德，别让这个残忍的恶魔逞他杀人的兽欲。
鲍西娅 那可不行，在威尼斯谁也没有权力变更既成的法律；要是开了这一个恶例，以后谁都可以借口有例可援，什么坏事情都可以干了。这是不行的。
夏洛克 一个但尼尔⑾来做法官了！真的是但尼尔再世！聪明的青年法官啊，我真佩服你！
鲍西娅 请你让我瞧一瞧那借约。
夏洛克 在这儿，可尊敬的博士；请看吧。
鲍西娅 夏洛克，他们愿意出三倍的钱还你呢。
夏洛克 不行，不行，我已经对天发过誓啦，难道我可以让我的灵魂背上毁誓的罪名吗？不，把整个儿的威尼斯给我，我都不能答应。
鲍西娅 好，那么就应该照约处罚；根据法律，这犹太人有权要求从这商人的胸口割下一磅肉来。还是慈悲一点，把三倍原数的钱拿去，让我撕了这张约吧。
夏洛克 等他按照约中所载条款受罚以后，再撕不迟。您瞧上去像是一个很好的法官；您懂得法律，您讲的话也很有道理，不愧是法律界的中流砥柱，所以现在我就用法律的名义，请您立刻进行宣判，凭着我的灵魂起誓，谁也不能用他的口舌改变我的决心。我现在但等着执行原约。
安东尼奥 我也诚心请求堂上从速宣判。
鲍西娅 好，那么就是这样：你必须准备让他的刀子刺进你的胸膛。
夏洛克 啊，尊严的法官！好一位优秀的青年！
鲍西娅 因为这约上所订定的惩罚，对于法律条文的涵义并无抵触。
夏洛克 很对很对！啊，聪明正直的法官！想不到你瞧上去这样年轻，见识却这么老练！
鲍西娅 所以你应该把你的胸膛袒露出来。
夏洛克 对了，“他的胸部”，约上是这么说的；——不是吗，尊严的法官？——“附近心口的所在”，约上写得明明白白的。
鲍西娅 不错，称肉的天平有没有预备好？
夏洛克 我已经带来了。
鲍西娅 夏洛克，去请一位外科医生来替他堵住伤口，费用归你负担，免得他流血而死。
夏洛克 约上有这样的规定吗？
鲍西娅 约上并没有这样的规定；可是那又有什么相干呢？肯做一件好事总是好的。
夏洛克 我找不到；约上没有这一条。
鲍西娅 商人，你还有什么话说吗？
安东尼奥 我没有多少话要说；我已经准备好了。把你的手给我，巴萨尼奥，再会吧！不要因为我为了你的缘故遭到这种结局而悲伤，因为命运对我已经特别照顾了：她往往让一个不幸的人在家产荡尽以后继续活下去，用他凹陷的眼睛和满是皱纹的额角去挨受贫困的暮年；这一种拖延时日的刑罚，她已经把我豁免了。替我向尊夫人致意，告诉她安东尼奥的结局；对她说我怎样爱你，又怎样从容就死；等到你把这一段故事讲完以后，再请她判断一句，巴萨尼奥是不是曾经有过一个真心爱他的朋友。不要因为你将要失去一个朋友而懊恨，替你还债的人是死而无怨的；只要那犹太人的刀刺得深一点，我就可以在一刹那的时间把那笔债完全还清。
巴萨尼奥 安东尼奥，我爱我的妻子，就像我自己的生命一样；可是我的生命、我的妻子以及整个的世界，在我的眼中都不比你的生命更为贵重；我愿意丧失一切，把它们献给这恶魔做牺牲，来救出你的生命。
鲍西娅 尊夫人要是就在这儿听见您说这样话，恐怕不见得会感谢您吧。
葛莱西安诺 我有一个妻子，我可以发誓我是爱她的；可是我希望她马上归天，好去求告上帝改变这恶狗一样的犹太人的心。
尼莉莎 幸亏尊驾在她的背后说这样的话，否则府上一定要吵得鸡犬不宁了。
夏洛克 这些便是相信基督教的丈夫！我有一个女儿，我宁愿她嫁给强盗的子孙，不愿她嫁给一个基督徒，别再浪费光阴了；请快些儿宣判吧。
鲍西娅 那商人身上的一磅肉是你的；法庭判给你，法律许可你。
夏洛克 公平正直的法官！
鲍西娅 你必须从他的胸前割下这磅肉来；法律许可你，法庭判给你。
夏洛克 博学多才的法官！判得好！来，预备！
鲍西娅 且慢，还有别的话哩。这约上并没有允许你取他的一滴血，只是写明着“一磅肉”；所以你可以照约拿一磅肉去，可是在割肉的时候，要是流下一滴基督徒的血，你的土地财产，按照威尼斯的法律，就要全部充公。
葛莱西安诺 啊，公平正直的法官！听着，犹太人；啊，博学多才的法官！
夏洛克 法律上是这样说吗？
鲍西娅 你自己可以去查查明白。既然你要求公道，我就给你公道，而且比你所要求的更地道。
葛莱西安诺 啊，博学多才的法官！听着，犹太人；好一个博学多才的法官！
夏洛克 那么我愿意接受还款；照约上的数目三倍还我，放了那基督徒。
巴萨尼奥 钱在这儿。
鲍西娅 别忙！这犹太人必须得到绝对的公道。别忙！他除了照约处罚以外，不能接受其他的赔偿。
葛莱西安诺 啊，犹太人！一个公平正直的法官，一个博学多才的法官！
鲍西娅 所以你准备着动手割肉吧。不准流一滴血，也不准割得超过或是不足一磅的重量；要是你割下来的肉，比一磅略微轻一点或是重一点，即使相差只有一丝一毫，或者仅仅一根汗毛之微，就要把你抵命，你的财产全部充公。
葛莱西安诺 一个再世的但尼尔，一个但尼尔，犹太人！现在你可掉在我的手里了，你这异教徒！
鲍西娅 那犹太人为什么还不动手？
夏洛克 把我的本钱还我，放我去吧。
巴萨尼奥 钱我已经预备好在这儿，你拿去吧。
鲍西娅 他已经当庭拒绝过了；我们现在只能给他公道，让他履行原约。
葛莱西安诺 好一个但尼尔，一个再世的但尼尔！谢谢你，犹太人，你教会我说这句话。
夏洛克 难道我单单拿回我的本钱都不成吗？
鲍西娅 犹太人，除了冒着你自己生命的危险割下那一磅肉以外，你不能拿一个钱。
夏洛克 好，那么魔鬼保佑他去享用吧！我不打这场官司了。SCENE IV. Belmont. A room in

PORTIA
I am informed thoroughly of the cause.
Which is the merchant here, and which the Jew?
DUKE
Antonio and old Shylock, both stand forth.
PORTIA
Is your name Shylock?
SHYLOCK
Shylock is my name.
PORTIA
Of a strange nature is the suit you follow;
Yet in such rule that the Venetian law
Cannot impugn you as you do proceed.
You stand within his danger, do you not?
ANTONIO
Ay, so he says.
PORTIA
Do you confess the bond?
ANTONIO
I do.
PORTIA
Then must the Jew be merciful.
SHYLOCK
On what compulsion must I? tell me that.
PORTIA
The quality of mercy is not strain'd,
It droppeth as the gentle rain from heaven
Upon the place beneath: it is twice blest;
It blesseth him that gives and him that takes:
'Tis mightiest in the mightiest: it becomes
The throned monarch better than his crown;
His sceptre shows the force of temporal power,
The attribute to awe and majesty,
Wherein doth sit the dread and fear of kings;
But mercy is above this sceptred sway;
It is enthroned in the hearts of kings,
It is an attribute to God himself;
And earthly power doth then show likest God's
When mercy seasons justice. Therefore, Jew,
Though justice be thy plea, consider this,
That, in the course of justice, none of us
Should see salvation: we do pray for mercy;
And that same prayer doth teach us all to render
The deeds of mercy. I have spoke thus much
To mitigate the justice of thy plea;
Which if thou follow, this strict court of Venice
Must needs give sentence 'gainst the merchant there.
SHYLOCK
My deeds upon my head! I crave the law,
The penalty and forfeit of my bond.
PORTIA
Is he not able to discharge the money?
BASSANIO
Yes, here I tender it for him in the court;
Yea, twice the sum: if that will not suffice,
I will be bound to pay it ten times o'er,
On forfeit of my hands, my head, my heart:
If this will not suffice, it must appear
That malice bears down truth. And I beseech you,
Wrest once the law to your authority:
To do a great right, do a little wrong,
And curb this cruel devil of his will.
PORTIA
It must not be; there is no power in Venice
Can alter a decree established:
'Twill be recorded for a precedent,
And many an error by the same example
Will rush into the state: it cannot be.
SHYLOCK
A Daniel come to judgment! yea, a Daniel!
O wise young judge, how I do honour thee!
PORTIA
I pray you, let me look upon the bond.
SHYLOCK
Here 'tis, most reverend doctor, here it is.
PORTIA
Shylock, there's thrice thy money offer'd thee.
SHYLOCK
An oath, an oath, I have an oath in heaven:
Shall I lay perjury upon my soul?
No, not for Venice.
PORTIA
Why, this bond is forfeit;
And lawfully by this the Jew may claim
A pound of flesh, to be by him cut off
Nearest the merchant's heart. Be merciful:
Take thrice thy money; bid me tear the bond.
SHYLOCK
When it is paid according to the tenor.
It doth appear you are a worthy judge;
You know the law, your exposition
Hath been most sound: I charge you by the law,
Whereof you are a well-deserving pillar,
Proceed to judgment: by my soul I swear
There is no power in the tongue of man
To alter me: I stay here on my bond.
ANTONIO
Most heartily I do beseech the court
To give the judgment.
PORTIA
Why then, thus it is:
You must prepare your bosom for his knife.
SHYLOCK
O noble judge! O excellent young man!
PORTIA
For the intent and purpose of the law
Hath full relation to the penalty,
Which here appeareth e upon the bond.
SHYLOCK
'Tis very true: O wise and upright judge!
How much more elder art thou than thy looks!
PORTIA
Therefore lay bare your bosom.
SHYLOCK
Ay, his breast:
So says the bond: doth it not, noble judge?
'Nearest his heart:' those are the very words.
PORTIA
It is so. Are there balance here to weigh
The flesh?
SHYLOCK
I have them ready.
PORTIA
Have by some surgeon, Shylock, on your charge,
To stop his wounds, lest he do bleed to death.
SHYLOCK
Is it so nominated in the bond?
PORTIA
It is not so express'd: but what of that?
'Twere good you do so much for charity.
SHYLOCK
I cannot find it; 'tis not in the bond.
PORTIA
You, merchant, have you any thing to say?
ANTONIO
But little: I am arm'd and well prepared.
Give me your hand, Bassanio: fare you well!
Grieve not that I am fallen to this for you;
For herein Fortune shows herself more kind
Than is her custom: it is still her use
To let the wretched man outlive his wealth,
To view with hollow eye and wrinkled brow
An age of poverty; from which lingering penance
Of such misery doth she cut me off.
Commend me to your honourable wife:
Tell her the process of Antonio's end;
Say how I loved you, speak me fair in death;
And, when the tale is told, bid her be judge
Whether Bassanio had not once a love.
Repent but you that you shall lose your friend,
And he repents not that he pays your debt;
For if the Jew do cut but deep enough,
I'll pay it presently with all my heart.
BASSANIO
Antonio, I am married to a wife
Which is as dear to me as life itself;
But life itself, my wife, and all the world,
Are not with me esteem'd above thy life:
I would lose all, ay, sacrifice them all
Here to this devil, to deliver you.
PORTIA
Your wife would give you little thanks for that,
If she were by, to hear you make the offer.
GRATIANO
I have a wife, whom, I protest, I love:
I would she were in heaven, so she could
Entreat some power to change this currish Jew.
NERISSA
'Tis well you offer it behind her back;
The wish would make else an unquiet house.
SHYLOCK
These be the Christian husbands. I have a daughter;
Would any of the stock of Barrabas
Had been her husband rather than a Christian!
Aside
We trifle time: I pray thee, pursue sentence.
PORTIA
A pound of that same merchant's flesh is thine:
The court awards it, and the law doth give it.
SHYLOCK
Most rightful judge!
PORTIA
And you must cut this flesh from off his breast:
The law allows it, and the court awards it.
SHYLOCK
Most learned judge! A sentence! Come, prepare!
PORTIA
Tarry a little; there is something else.
This bond doth give thee here no jot of blood;
The words expressly are 'a pound of flesh:'
Take then thy bond, take thou thy pound of flesh;
But, in the cutting it, if thou dost shed
One drop of Christian blood, thy lands and goods
Are, by the laws of Venice, confiscate
Unto the state of Venice.
GRATIANO
O upright judge! Mark, Jew: O learned judge!
SHYLOCK
Is that the law?
PORTIA
Thyself shalt see the act:
For, as thou urgest justice, be assured
Thou shalt have justice, more than thou desirest.
GRATIANO
O learned judge! Mark, Jew: a learned judge!
SHYLOCK
I take this offer, then; pay the bond thrice
And let the Christian go.
BASSANIO
Here is the money.
PORTIA
Soft!
The Jew shall have all justice; soft! no haste:
He shall have nothing but the penalty.
GRATIANO
O Jew! an upright judge, a learned judge!
PORTIA
Therefore prepare thee to cut off the flesh.
Shed thou no blood, nor cut thou less nor more
But just a pound of flesh: if thou cut'st more
Or less than a just pound, be it but so much
As makes it light or heavy in the substance,
Or the division of the twentieth part
Of one poor scruple, nay, if the scale do turn
But in the estimation of a hair,
Thou diest and all thy goods are confiscate.
GRATIANO
A second Daniel, a Daniel, Jew!
Now, infidel, I have you on the hip.
PORTIA
Why doth the Jew pause? take thy forfeiture.
SHYLOCK
Give me my principal, and let me go.
BASSANIO
I have it ready for thee; here it is.
PORTIA
He hath refused it in the open court:
He shall have merely justice and his bond.
GRATIANO
A Daniel, still say I, a second Daniel!
I thank thee, Jew, for teaching me that word.
SHYLOCK
Shall I not have barely my principal?
PORTIA
Thou shalt have nothing but the forfeiture,
To be so taken at thy peril, Jew.
SHYLOCK
Why, then the devil give him good of it!
I'll stay no longer question.

Ⅶ 求高手给个一个英语短剧剧本！！！急！！！！在线等

这是个九人的童话剧，可以改成七人的。
The fox and the seven goats
Act One. In the goat hut

Storyteller: Mrs. Goat is putting breakfast on the table. Her seven kids are sitting around the table.

Mother: Children. I must go to the town this morning. You will be here alone. There is one thing you must do: lock the door. Don’t open it until I get back.

Kid 1. We won’t, Mama. We will keep the door locked all the time.

Mother: All of you stay inside.

All kids: We will, Mama. We will be good little goats.

Mother: All right, my children. I will not be long. I will bring you a surprise. Good-bye, now.

All kids: Good-bye, Mama.

Storyteller: Mrs. Goat goes away. Her kids wave good-bye. Then they go inside and lock the door.

Kid 2: Whoop-eee! We are all alone.

Kid 3. Isn’t this fun?

Kid 4. Let’s dance and sing. La-dee-da. La-dee-da!

Kid5. We are like big goats. We are so big that we can be alone.

All kids: La-dee-da! La-dee-da!

Storyteller: Outside the hut is the sly red fox. He is hiding in he bushes. He wants to catch the kids. He sees Mrs. Goat go to town. So he waits a little while. Then he runs to the door and taps.

Fox: Tap-tap-tap! Tap-tap-tap!

Kid 6. Who is there, please?

Fox: It is me, your friend, a dear, dear friend.

Kid 7. What is your name? Dear, dear friend?

Fox: I can’t tell you. It is a big surprise. Now open the door.

All kids: Oh, no. Mama said we must keep the door locked. We must mind our mother.

Fox: Please let me in. I have such a good surprise for you.

Kid 3. Go away!

Kid 2: Come back when manna is here.

Kid 5: (Looking out the window) Oh, oh. It is Mr. Fox. He wants to catch us and eat us all up.

All kids: Ho! Ho! You can’t fool us, Mr. Fox. Go away.

Kid 6: We won’t open the door.

Fox: Well, I will go away then. I only want to be your friend.

Storyteller: Mr. Fox makes it look as if he is going away. But he hides in the bushes. When he looks back, he shakes his fist.

Fox: All right! You just wait! I’ll find a way to get you. Wait and see.

Kid 5: (looking from window) He’s gone! He’s gone. Now we can play again.

All kids: La-dee-da! La-dee-da!

Kid 4: Wait till Mama hears about this.

Kid 7: We minded her. The door is shut.

Act Two.

Storyteller: The sly red fox walks on tiptoe. He goes near the goat hut. He can hear the kids singing.

Fox: (to himself) How can I get into that house? There must be some ways. I might jump up on the roof. No, that wouldn’t do any good. I could dig and get under the house. That wouldn’t help me any.

Storyteller: Mr. Fox sits and thinks. He looks back of the house. There he sees Mrs. Goat’s dresses on the line.

Fox: Oh, oh! Now I have a way to get into the house. La-dee-da! La-dee-da!

Storyteller: There is no kid at the window now. In five jumps, Mr. Fox gets to the line. Quickly he gets into Mrs. Goat’s dress and puts on her big straw hat.

Act Three: At the hut door.

Fox: Tap-tap-tap

Kid 1: Who is there?

Fox: (in a soft voice)It is Mama. I am back from town. Let me in.

Kid 6: Oh, good! It’s Mama. Do you have a surprise for us?

Kid 5: Wait! That can’t be Mama. She has not had time to get to town and back.

Kid 7: It sounds like Mama. Let me look out from the window and see.

Storyteller: Kid 7 looks out and sees Mrs. Goat’s dress and hat.

Kid 7: It’s Mama all right. I can see her dress and hat.

Kid 3: All right, Mama. You can come in. The door is unlocked.

Storyteller: Kid 3 unlocks the door and opens it. The sly red fox makes one big jump. The kids run every way.

Fox: Now I have you, little kids. M-m-m-m. What a good pie you will make. M-m-m.

Kid 1: Hide! Hide from him.

Storyteller: And they do hide. One gets under the sink, one under the bed. Another gets in the fireplace, another back of a big chair. One gets in the bathtub, one back of the TV. The last one gets inside the tall clock.

Fox: Ho! Ho! Ho! So you think you can hide from me. I can find every one of you and put you in my big bag.

Storyteller: One by one. Mr. Fox finds the kids and puts them in his bag. Then he takes the bag up and runs out the door with it. He doesn’t know that he has left one little kid. He didn’t think to look inside the tall clock.

Act Four: At the door of the hut.

Storyteller: Just as Mr. Fox goes into the bushes, Mrs. Goat gets home. She sees the door open.

Mother: Dear! Dear! Those had little goats! They did open the door. Children, where are you?

Storyteller: Mrs. Goat does not get an answer. She runs about the house calling and calling.

Mother: Children! Children!

Storyteller: Mrs. Goat starts to cry. Then she hears a sound from the tall clock. Bang! Bang! Bang!

Mother: Where is that bang-bang coming from?

Kid 7: Mama! Mama! Is that you? Open the tall clock. I can’t get out. Please help me.

Mother: Why are you there? Where are the other kids? Why? Oh, why did you unlock the door?

Kid 7: Oh, Mama dear! The red fox got in. He put on your dress and hat. I looked out the window and saw your dress and hat. So kid 3 opened the door.

Mother: Where are the other kids?

Kid 7: In Mr. Fox’s bag. He’s gone.

Act Five. At Mr. Fox’s house.

Storyteller: Mother goat and kid 7 run after the fox. Soon they get to his house. Mrs. Goat goes in on tiptoe and sees the fox sleeping. He had to rest after bringing the bag full of goats.

Mother: (In a whisper) Where do you think the children are? Did the fox eat them up?

Kid 7: (Looking around) No, Mama. See that bag over there?

Mother: (in a whisper) Children, are you in the bag?

All kids: Quick, Mama! Get us out. The fox is going to put us in a pie.

Mother: Sh-h-h! I’ll untie the bag.

Fox: (dreaming) Z-z-z-z-z! M-m-m! How good those kids will be! I can hardly wait to make them into pie.

Mother: (untying the bag) Sh-h-h! Quick! Come with me. Get a big rock, each of you! Be quick!

Storyteller: Each kid gets a rock and puts it in the bag. Then Mrs. Goat

ties the bag to the fox’s tail.

Fox: Z-z-z-z-z! So you kids wouldn’t let me in. I fooled you, didn’t I? How do you like being put in a pie?

Mother: (loudly) All right, children, let’s go home now.

Fox: No, you don’t!

Storyteller: Mr. Fox jumps up, but falls down. He can’t run.

All kids: La-dee-da. La-dee-da! We got away!

可以么...

Ⅷ 谁能提供一个英文版的话剧。 大概15分钟左右！！ 急~~~~~

这是威尼斯商人英文话剧剧本(法庭上那段）

SCENE I. Venice. A street.

Enter ANTONIO, SALARINO, and SALANIO
ANTONIO
In sooth, I know not why I am so sad:
It wearies me; you say it wearies you;
But how I caught it, found it, or came by it,
What stuff 'tis made of, whereof it is born,
I am to learn;
And such a want-wit sadness makes of me,
That I have much ado to know myself.

SALARINO
Your mind is tossing on the ocean;
There, where your argosies with portly sail,
Like signiors and rich burghers on the flood,
Or, as it were, the pageants of the sea,
Do overpeer the petty traffickers,
That curtsy to them, do them reverence,
As they fly by them with their woven wings.

SALANIO
Believe me, sir, had I such venture forth,
The better part of my affections would
Be with my hopes abroad. I should be still
Plucking the grass, to know where sits the wind,
Peering in maps for ports and piers and roads;
And every object that might make me fear
Misfortune to my ventures, out of doubt
Would make me sad.

SALARINO
My wind cooling my broth
Would blow me to an ague, when I thought
What harm a wind too great at sea might do.
I should not see the sandy hour-glass run,
But I should think of shallows and of flats,
And see my wealthy Andrew dock'd in sand,
Vailing her high-top lower than her ribs
To kiss her burial. Should I go to church
And see the holy edifice of stone,
And not bethink me straight of dangerous rocks,
Which touching but my gentle vessel's side,
Would scatter all her spices on the stream,
Enrobe the roaring waters with my silks,
And, in a word, but even now worth this,
And now worth nothing? Shall I have the thought
To think on this, and shall I lack the thought
That such a thing bechanced would make me sad?
But tell not me; I know, Antonio
Is sad to think upon his merchandise.

ANTONIO
Believe me, no: I thank my fortune for it,
My ventures are not in one bottom trusted,
Nor to one place; nor is my whole estate
Upon the fortune of this present year:
Therefore my merchandise makes me not sad.

SALARINO
Why, then you are in love.

ANTONIO
Fie, fie!

SALARINO
Not in love neither? Then let us say you are sad,
Because you are not merry: and 'twere as easy
For you to laugh and leap and say you are merry,
Because you are not sad. Now, by two-headed Janus,
Nature hath framed strange fellows in her time:
Some that will evermore peep through their eyes
And laugh like parrots at a bag-piper,
And other of such vinegar aspect
That they'll not show their teeth in way of smile,
Though Nestor swear the jest be laughable.

Enter BASSANIO, LORENZO, and GRATIANO

SALANIO
Here comes Bassanio, your most noble kinsman,
Gratiano and Lorenzo. Fare ye well:
We leave you now with better company.

SALARINO
I would have stay'd till I had made you merry,
If worthier friends had not prevented me.

ANTONIO
Your worth is very dear in my regard.
I take it, your own business calls on you
And you embrace the occasion to depart.

SALARINO
Good morrow, my good lords.

BASSANIO
Good signiors both, when shall we laugh? say, when?
You grow exceeding strange: must it be so?

SALARINO
We'll make our leisures to attend on yours.

Exeunt Salarino and Salanio

LORENZO
My Lord Bassanio, since you have found Antonio,
We two will leave you: but at dinner-time,
I pray you, have in mind where we must meet.

BASSANIO
I will not fail you.

GRATIANO
You look not well, Signior Antonio;
You have too much respect upon the world:
They lose it that do buy it with much care:
Believe me, you are marvellously changed.

ANTONIO
I hold the world but as the world, Gratiano;
A stage where every man must play a part,
And mine a sad one.

GRATIANO
Let me play the fool:
With mirth and laughter let old wrinkles come,
And let my liver rather heat with wine
Than my heart cool with mortifying groans.
Why should a man, whose blood is warm within,
Sit like his grandsire cut in alabaster?
Sleep when he wakes and creep into the jaundice
By being peevish? I tell thee what, Antonio--
I love thee, and it is my love that speaks--
There are a sort of men whose visages
Do cream and mantle like a standing pond,
And do a wilful stillness entertain,
With purpose to be dress'd in an opinion
Of wisdom, gravity, profound conceit,
As who should say 'I am Sir Oracle,
And when I ope my lips let no dog bark!'
O my Antonio, I do know of these
That therefore only are reputed wise
For saying nothing; when, I am very sure,
If they should speak, would almost damn those ears,
Which, hearing them, would call their brothers fools.
I'll tell thee more of this another time:
But fish not, with this melancholy t,
For this fool gudgeon, this opinion.
Come, good Lorenzo. Fare ye well awhile:
I'll end my exhortation after dinner.

LORENZO
Well, we will leave you then till dinner-time:
I must be one of these same mb wise men,
For Gratiano never lets me speak.

GRATIANO
Well, keep me company but two years moe,
Thou shalt not know the sound of thine own tongue.

ANTONIO
Farewell: I'll grow a talker for this gear.

GRATIANO
Thanks, i' faith, for silence is only commendable
In a neat's tongue dried and a maid not vendible.

Exeunt GRATIANO and LORENZO

ANTONIO
Is that any thing now?

BASSANIO
Gratiano speaks an infinite deal of nothing, more
than any man in all Venice. His reasons are as two
grains of wheat hid in two bushels of chaff: you
shall seek all day ere you find them, and when you
have them, they are not worth the search.

ANTONIO
Well, tell me now what lady is the same
To whom you swore a secret pilgrimage,
That you to-day promised to tell me of?

BASSANIO
'Tis not unknown to you, Antonio,
How much I have disabled mine estate,
By something showing a more swelling port
Than my faint means would grant continuance:
Nor do I now make moan to be abridged
From such a noble rate; but my chief care
Is to come fairly off from the great debts
Wherein my time something too prodigal
Hath left me gaged. To you, Antonio,
I owe the most, in money and in love,
And from your love I have a warranty
To unburden all my plots and purposes
How to get clear of all the debts I owe.

ANTONIO
I pray you, good Bassanio, let me know it;
And if it stand, as you yourself still do,
Within the eye of honour, be assured,
My purse, my person, my extremest means,
Lie all unlock'd to your occasions.

BASSANIO
In my school-days, when I had lost one shaft,
I shot his fellow of the self-same flight
The self-same way with more advised watch,
To find the other forth, and by adventuring both
I oft found both: I urge this childhood proof,
Because what follows is pure innocence.
I owe you much, and, like a wilful youth,
That which I owe is lost; but if you please
To shoot another arrow that self way
Which you did shoot the first, I do not doubt,
As I will watch the aim, or to find both
Or bring your latter hazard back again
And thankfully rest debtor for the first.

ANTONIO
You know me well, and herein spend but time
To wind about my love with circumstance;
And out of doubt you do me now more wrong
In making question of my uttermost
Than if you had made waste of all I have:
Then do but say to me what I should do
That in your knowledge may by me be done,
And I am prest unto it: therefore, speak.

BASSANIO
In Belmont is a lady richly left;
And she is fair, and, fairer than that word,
Of wondrous virtues: sometimes from her eyes
I did receive fair speechless messages:
Her name is Portia, nothing undervalued
To Cato's daughter, Brutus' Portia:
Nor is the wide world ignorant of her worth,
For the four winds blow in from every coast
Renowned suitors, and her sunny locks
Hang on her temples like a golden fleece;
Which makes her seat of Belmont Colchos' strand,
And many Jasons come in quest of her.
O my Antonio, had I but the means
To hold a rival place with one of them,
I have a mind presages me such thrift,
That I should questionless be fortunate!

ANTONIO
Thou know'st that all my fortunes are at sea;
Neither have I money nor commodity
To raise a present sum: therefore go forth;
Try what my credit can in Venice do:
That shall be rack'd, even to the uttermost,
To furnish thee to Belmont, to fair Portia.
Go, presently inquire, and so will I,
Where money is, and I no question make
To have it of my trust or for my sake.

Exeunt

SCENE II: Belmont. A room in PORTIA'S house.

Enter PORTIA and NERISSA

PORTIA
By my troth, Nerissa, my little body is aweary of
this great world.

NERISSA
You would be, sweet madam, if your miseries were in
the same abundance as your good fortunes are: and
yet, for aught I see, they are as sick that surfeit
with too much as they that starve with nothing. It
is no mean happiness therefore, to be seated in the
mean: superfluity comes sooner by white hairs, but
competency lives longer.

PORTIA
Good sentences and well pronounced.

NERISSA
They would be better, if well followed.

PORTIA
If to do were as easy as to know what were good to
do, chapels had been churches and poor men's
cottages princes' palaces. It is a good divine that
follows his own instructions: I can easier teach
twenty what were good to be done, than be one of the
twenty to follow mine own teaching. The brain may
devise laws for the blood, but a hot temper leaps
o'er a cold decree: such a hare is madness the
youth, to skip o'er the meshes of good counsel the
cripple. But this reasoning is not in the fashion to
choose me a husband. O me, the word 'choose!' I may
neither choose whom I would nor refuse whom I
dislike; so is the will of a living daughter curbed
by the will of a dead father. Is it not hard,
Nerissa, that I cannot choose one nor refuse none?

NERISSA
Your father was ever virtuous; and holy men at their
death have good inspirations: therefore the lottery,
that he hath devised in these three chests of gold,
silver and lead, whereof who chooses his meaning
chooses you, will, no doubt, never be chosen by any
rightly but one who shall rightly love. But what
warmth is there in your affection towards any of
these princely suitors that are already come?

PORTIA
I pray thee, over-name them; and as thou namest
them, I will describe them; and, according to my
description, level at my affection.

NERISSA
First, there is the Neapolitan prince.

PORTIA
Ay, that's a colt indeed, for he doth nothing but
talk of his horse; and he makes it a great
appropriation to his own good parts, that he can
shoe him himself. I am much afeard my lady his
mother played false with a smith.

NERISSA
Then there is the County Palatine.

PORTIA
He doth nothing but frown, as who should say 'If you
will not have me, choose:' he hears merry tales and
smiles not: I fear he will prove the weeping
philosopher when he grows old, being so full of
unmannerly sadness in his youth. I had rather be
married to a death's-head with a bone in his mouth
than to either of these. God defend me from these
two!

NERISSA
How say you by the French lord, Monsieur Le Bon?

PORTIA
God made him, and therefore let him pass for a man.
In truth, I know it is a sin to be a mocker: but,
he! why, he hath a horse better than the
Neapolitan's, a better bad habit of frowning than
the Count Palatine; he is every man in no man; if a
throstle sing, he falls straight a capering: he will
fence with his own shadow: if I should marry him, I
should marry twenty husbands. If he would despise me
I would forgive him, for if he love me to madness, I
shall never requite him.

NERISSA
What say you, then, to Falconbridge, the young baron
of England?

PORTIA
You know I say nothing to him, for he understands
not me, nor I him: he hath neither Latin, French,
nor Italian, and you will come into the court and
swear that I have a poor pennyworth in the English.
He is a proper man's picture, but, alas, who can
converse with a mb-show? How oddly he is suited!
I think he bought his doublet in Italy, his round
hose in France, his bonnet in Germany and his
behavior every where.

NERISSA
What think you of the Scottish lord, his neighbour?

PORTIA
That he hath a neighbourly charity in him, for he
borrowed a box of the ear of the Englishman and
swore he would pay him again when he was able: I
think the Frenchman became his surety and sealed
under for another.

NERISSA
How like you the young German, the Duke of Saxony's nephew?

PORTIA
Very vilely in the morning, when he is sober, and
most vilely in the afternoon, when he is drunk: when
he is best, he is a little worse than a man, and
when he is worst, he is little better than a beast:
and the worst fall that ever fell, I hope I shall
make shift to go without him.

NERISSA
If he should offer to choose, and choose the right
casket, you should refuse to perform your father's
will, if you should refuse to accept him.

PORTIA
Therefore, for fear of the worst, I pray thee, set a
deep glass of rhenish wine on the contrary casket,
for if the devil be within and that temptation
without, I know he will choose it. I will do any
thing, Nerissa, ere I'll be married to a sponge.

NERISSA
You need not fear, lady, the having any of these
lords: they have acquainted me with their
determinations; which is, indeed, to return to their
home and to trouble you with no more suit, unless
you may be won by some other sort than your father's
imposition depending on the caskets.

PORTIA
If I live to be as old as Sibylla, I will die as
chaste as Diana, unless I be obtained by the manner
of my father's will. I am glad this parcel of wooers
are so reasonable, for there is not one among them
but I dote on his very absence, and I pray God grant
them a fair departure.

NERISSA
Do you not remember, lady, in your father's time, a
Venetian, a scholar and a soldier, that came hither
in company of the Marquis of Montferrat?

PORTIA
Yes, yes, it was Bassanio; as I think, he was so called.

NERISSA
True, madam: he, of all the men that ever my foolish
eyes looked upon, was the best deserving a fair lady.

PORTIA
I remember him well, and I remember him worthy of
thy praise.

Enter a Serving-man

How now! what news?

Servant
The four strangers seek for you, madam, to take
their leave: and there is a forerunner come from a
fifth, the Prince of Morocco, who brings word the
prince his master will be here to-night.

PORTIA
If I could bid the fifth welcome with so good a
heart as I can bid the other four farewell, I should
be glad of his approach: if he have the condition
of a saint and the complexion of a devil, I had
rather he should shrive me than wive me. Come,
Nerissa. Sirrah, go before.
Whiles we shut the gates
upon one wooer, another knocks at the door.

Exeunt

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